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Heckerling’s witty spin on Austen’s “Emma” (a novel about the perils of match-making and injecting yourself into situations in which you don’t belong) has remained a perennial favorite not only because it’s a smart freshening on a classic tale, but because it allows for so much more further than the Austen-issued drama.
But no single aspect of this movie can account for why it congeals into something more than a cute concept done well. There’s a rare alchemy at work here, a specific magic that sparks when Stephen Warbeck’s rollicking score falls like pillow feathers over the sight of a goateed Ben Affleck stage-fighting for the Globe (“Gentlemen upstage, ladies downstage…”), or when Colin Firth essentially soils himself over Queen Judi Dench, or when Viola declares that she’s discovered “a whole new world” just a couple of short days before she’s compelled to depart for another a person.
“Hyenas” has become the great adaptations of the ‘90s, a transplantation of a Swiss playwright’s post-World War II story of how a Local community could fall into fascism to be a parable of globalization: like so many Western companies throughout Africa, Linguere has supplied some material comforts towards the people of Colobane while ruining their economy, shuttering their market, and making the people totally dependent on them.
The outdated joke goes that it’s hard for just a cannibal to make friends, and Fowl’s bloody smile of the Western delivers the punchline with pieces of David Arquette and Jeremy Davies stuck between its teeth, twisting the colonialist mindset behind Manifest Destiny into a bonafide meal plan that it sums up with its opening epipgrah and then slathers all over the screen until everyone gets their just desserts: “Try to eat me.” —DE
The emotions linked with the passage of time is a huge thing for your director, and with this film he was capable of do in one night what he does with the sprawling temporal canvas of “Boyhood” or “Before” trilogy, as he captures many feelings at once: what it means to get a freshman kissing a cool older girl as the Sunlight rises, the sense of being a senior staring at the conclusion of tamilsex the party, and why the top of one big life stage can feel so aimless and Weird. —CO
For all of its sensorial timelessness, “The Girl about the Bridge” might be as well drunk on its own fantasies — male or otherwise — to shimmer as strongly today mainly because it did from the summer of 1999, but Leconte’s faith from the ecstasy of filmmaking lingers every one of the same (see: the orgasmic rehearsal bf sexy sequence established to Marianne czech massage Faithfull’s “Who Will Take My Dreams Away,” proof that all you need to make a movie is usually a girl and a knife).
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James Cameron’s 1991 blockbuster (to wit, over half a billion bucks in worldwide returns) is consistently — and rightly — hailed given that the best of your sprawling apocalyptic franchise about the need to not misjudge both Arnold Schwarzenegger and Linda Hamilton.
As authoritarian tendencies are seeping into politics on a worldwide scale, “Starship Troopers” paints shiny, ugly insect-infused allegories of your dangers of blind adherence as well as the power porn in targeting an easy enemy.
Allegiances within this unorthodox marital arrangement change and break with many of the palace intrigue of power seized, vengeance sought, and virtually no-one being who they first look like.
As well as giving many viewers a first glimpse into urban queer tradition, this landmark documentary about New York City’s underground ball scene pushed the Black and Latino gay communities into the forefront for the first time.
Lenny’s friend Mace (a kick-ass Angela Bassett) believes they should expose the footage inside the hopes of enacting real transform.
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As handsome and charming as George Clooney is, it’s hard to assume he would have been the star He's today if Soderbergh hadn’t unlocked the full depth of his persona with this role.